“Gentlemen Prefer Blondes” Comedy Essay

Gentle workforce Prefer Blondes is a 1953 Musical-Comedy released by 20th Century Fox, enjoin by Howard Hawks and starring Marilyn Munroe and Jane Russell the twain sterling(prenominal) sex symbols of the era. The cameras prove of facial expression is that of the antheral gaze, where women atomic number 18 regarded as objects of fascination and the men ar assumed to have a countersink of power. Hawks shows how it can be easily hijacked by females smart enough to control, manipulate and in the long run blur the male gaze. As everyplacemuch as this film is irradiation for the male gaze it is as much for a female audience as it is for males.In the song-and-dance sequence, When Love Goes Wrong, the two female maven had just been expelled from the hotel by Gus. though the situation for Lorelei and Dorothy should be virtuoso where they ar left helpless and incapacitated the conniption nevertheless displays the opposite. In the sinless scene both female protagonist are captured front and center with virtually ups and the lighting on their faces is well delimit which gives them a common sense of importance and power. At the same time the men accumulate around them captivated, bighearted their undivided vigilance to the females as they sing and dance giving them a position of control over the men.Their position of power is so braggart(a) that they even get the admiration of five-year-old boys who seem to be gypsys. gypsys are known to be quick, sharp and in control when it comes to larceny but in this scene their heads are turned by the sensual Lorelei and they are totally distracted. Bothe females are well aware of their manipulative powers as Dorothy encourages Lorelei to use her charms, saying, Do it now, do itWhat show ups to be submissive to the male gaze, in this scene and they put on a chow chow in exchange to negotiate their front man and have their voices heard in a dominantly male world. When the females are seated they appe ar to be two damsels in distress, however the movement of standing up represents conversancy and the space they command when dancing communicates granting immunity and power. A melancholy moment turns to a vibrant and fun sing-and-dance where they reject the actions of men to have power over their emotions.Though the scene is shot in the view of the male gaze the line is sunless when Lorelei and Dorothy use their sensual and attractive look to control, manipulate and command power in a dominantly male world. By this the scene takes a turn to cater to the female sight giving a sense of empowerment and independence in a situation where they should be the damsels in distress.